What should we pay attention to kimi wo omou melodi

Print collection need to pay attention to what prints can be divided into two major categories of reproduction and printmaking. The former belongs to the category of social printing, while the latter is the original art practice. In the past, in the past, people have experimented with various kinds of materials to keep the knowledge accumulated in history. From the comparison of the original stone rubbings, carved wood books, metal etching, chemical, photographic plate until the principle of subtle, copy prints in the form of woodcut, etching, lithography, screen version of such technology, the dissemination of large amounts of information science and technology culture and continuation of the visual image to obtain the supplement. In history, the copy prints belong to the category of applied art. If the print is still the makeup of the opera actor legend, religious prints are misfortunes praying offerings, the novel is an explanation of the plot of the auxiliary prints. In order to meet the needs of the market, some painting masters will also have a copy of the original work of the prints. However, due to the artist is not directly involved in the production, technical workers do not sign, making copies of the shadow of a "substitute" shadow. Painting oil painting and Chinese painting to depict directly, because it can make the audience feel directly from the screen to the painter’s painting, so as to understand the artist’s temperament, so it has compared with the uniqueness of precious prints. When they are made into prints, all kinds of replication technology are trying to restore painting painting texture effect, although some can reach the extent of the real thing, even the artist’s signature, but in the aspect of artistic originality is always a little regret. The copy prints of famous masterpieces, not only for the fame, also want to see the technology is sophisticated, the product phase is correct, there will be potential for appreciation. This usually requires the guidance of professionals, with a certain risk factor. Printmaking is different, it is fully familiar with the artists in the copy printmaking techniques process, to create flexible collocation according to the marks, texture and other aesthetic features, artistic or academic uniqueness. Guizhou two (print) 28× 37 cm 1988 Wang Huaxiang early in the Western Renaissance, German artists had a lot of practice in printmaking, these works are mostly religious paintings, laid a mass based on its practical and private collections, printmaking has thus developed can be comparable with the the history of painting, sculpture, many artists, such as Rembrandt, Monck and Picasso have creative prints available. Chinese creative prints, can be traced back to the Ming dynasty literati painter Hu Zhengyan’s publisher and "book", "Shizhuzhai Huapu Shizhuzhai" letter paper. Although the two book reflects the unique aesthetic China prints, but it is essentially a scholar’s desk for a small audience of more than dvrer religious themes in printmaking, only in the top scholars, good writings make people copy them. official family class etc.. The old people of all ages are life prints value, such as New Year paintings. Since the beginning of the 20s and 30s of last century, after the promotion of Lu Xun and the promotion of "new print movement", the status of the creation of printmaking as an independent art category has been gradually established. Collection of domestic creative prints, not just a collection of less than a hundred years of young painting species相关的主题文章: